(Download) "New York Yankees and the Conservative Use of Space." by Ethnologies # eBook PDF Kindle ePub Free
eBook details
- Title: New York Yankees and the Conservative Use of Space.
- Author : Ethnologies
- Release Date : January 01, 2002
- Genre: Social Science,Books,Nonfiction,
- Pages : * pages
- Size : 206 KB
Description
Sports events, as the ancient Greeks knew well, could be used as a substitute for war in city-state competition, hence the creation of the ancient Olympics. Although the founder of the modem Olympics, Pierre de Coubertin, envisioned an event free of consumerism and nationalism, they are now a forum for national conflict and rivalry (Riggs 1993). As Katz and Dayan (1985) argue, the Olympics are a coronation for the king of nations and a celebration of conflict, contestation, and conquest. The Olympics now reinforce nationalism and hyperpatriotism as fundamental values rather than the equality, liberty, and fraternity that are the official reasons for the Games (Rothenbuhler 1989). In addition, commercialism and consumerism are now values supported by the Games, in contradiction to de Coubertin's vision (Farrell 1989). Truly, the Olympics are a substitute for war; national aggression, the fight for supremacy, and economic competition are all enfolded within the Games. Although not a substitute for civil war, on an intranational level sports may serve the same purpose as the Olympics. Sports teams can elevate the recognition of a city on the international and national business, convention, and tourism scenes. Winning the national championship title in any sport makes a city's name synonymous with a nation's best, though only briefly. As marketers well know, winning in a sport allows a city to claim greatness, as evident in the crass commercialism that transformed the Atlanta Braves and the Dallas Cowboys of the early 1990's into "America's Team(s)". Perhaps the existence of sports teams is one factor contributing to Yi-Fu Tuan's statement that "Places can be made visible by a number of means: rivalry with or conflict with other places, visual prominence, and the evocative power of art, architecture, ceremonials and rites. Human places become vividly real through dramatization" (1977: 178).
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